DEEP SEEING

EXCERPTS FROM ARTICLES & REVIEWS

"With work that depicts coastal beauty from ocean tides to tide pools and the magic of the horizon, he creates a wonderful quality of light and motion... His work offers a rich, contemplative view of nature that shimmers, glows and shifts. There is a strong Zen-like quality to his images; and his palette evokes all the colors of sea and sky and water imaginable. Both with his paintings and drawings, there is a vast, spacious beauty that is compelling to viewers." 

Genie Davis "Dan Dempster: Exploring the beauty of the Pacific Coast," Palos Verdes Peninsula News, CA.

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"Eight of Bermuda's leading artists are now to be seen at the Desmond Fountain Gallery in the Emporium Building on Front Street. For the most part they are either at the top of their form or have broken new personal ground. 

Most notable in the latter category is Daniel Dempster. In one sense he has gone back to his undoubted talent for interpreting shallow water, its dynamics and its plays of light. Where he used to work in chalk he has now taken to oils and the result is little short of dramatic. His start turn is "Wet Sands, Grape Bay: where he catches the evening light in reflection over an expanse of rising tide spread smoothly over almost flat sand. His perception of light and colour is as faultless as his well-known technique and sense of composition.

Almost in the same league is "Sunbeam, South Shore." Here the artist catches a glimmer of afternoon sun in water that is for the most part shaded by summer clouds. The warm glow imparts surprising warmth to an otherwise cool painting. One of the more exciting works is "Portents, South Shore" where Mr. Dempster, long known for his mastery of ripples of calm water, tackles with complete confidence and success tangled water breaking at the edge of a roiled sea."

Andrew Trimingham, "Fountain Gallery show is the best of the year" The Royal Gazette. 

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"Each piece is wonderfully detailed and delicate, resulting in a startling degree of realism. At first glance you see each piece for what it is, paper and pencil on a flat plane. But the more you look the more you become drawn into the space and marvel at the clever way in which Dempster has captured such ethereal qualities... Whatever Dempster makes you think, there's no getting away from the fact that they are beautiful works of art."

Gareth Finnegan "A show with a difference" The Mid-Ocean News. 

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"These exquisitely detailed drawings are not only a visual delight but, moreover, from the technical aspect the artist has taken the medium of coloured pencils to its zenith. There is nothing overdone, he uses each line or shaded area to render his subject in fine detail; nothing more and nothing less."

Emma Mitchell "The Nature of Things", The Mid-Ocean News. 

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"Time has been built into the work, hard wired into the concepts, change is natural and intended and inherent in concept. Instead of decaying with the years these works are intended to change with the years, evolve, carry into the future not only the physicality of change but also the resonance of past states."

Dr. J. Bowyer Bell "Dan Dempster at Fulcrum" Gallery Guide, NY. 

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"The artist's inspiration was absolutely clear and the success he achieved with his painstaking techinique quite plain... immensely successful..."

Andrew Trimingham, The Mid-Ocean News. 

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"...it works perfectly - the graphite shimmers on the canvas in light relief recreating perfectly the intricate interface of water. light and rock... the effects he has produced are a marvel which say more about the calm induced by Bermuda coast than a thousand representationalist reproductions of John Smith's Bay... the sense of depth created by walking across the front of one of his works deceives the eye so I felt I could plunge my hands into the water."

Raymond Hainey, The Royal Gazette.

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"... The canvases in Dempster's masterful Ithuriel series, named for a passage in Milton's Paradise Lost, suggest the glitter of light across water, lichens on a rock, crumpled tissue, or creased, gossamer-thin fabric. Each abstract image is intricately worked using delicate gray graphite, achieving an illusion of texture that is dispelled only upon viewing the canvas nearly from the side."

Catherine Dorsey. PortFolio Weekly, Virginia Beach, VA. 

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"... Mr. Dempster best encompasses this philosophy of the "spectacular in the mundane" in his collection of sandwiched stainless steel wall plates, gorgeously "hydro-optic" installations whose colourfully rusting surfaces suggest a new-age topography that change with time and the elements."

Danny Sinopoli, The Royal Gazette.

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"... these steel plates were indeed enthralling. Their essential steeliness served as a counterbalance to the abstractionist impression created by the oxidation, frequently almost ethereal in quality, not unlike astronomers' photographs of the Magellanic clouds. In others, where one plate had lain flat against another, there were defining lines of varied oxidation that gave a random definition to the random oxidation... I was very pleasantly surprised and found the general impression to be both restful and energising, a curious combination of reactions. I know the artist has a fine and individual eye and this show attests to that again."

Andrew Trimingham, The Mid-Ocean News.

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"The outstanding exception... abstract works by Daniel Dempster taken around the shores of Bantry Bay in Ireland. They observe in detail the interaction of clear water over or on textured rock or sand in much the same way as do the best of his painted and drawn works... Admirably presented in well chosen frames, these photographs display a carefully thought out colour scheme, a balance of texture and line hardly to be seen anywhere else in the show... these photographs to me were outstandingly the best in the show."

Andrew Trimingham, The Mid-Ocean News.

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"It is the best thing in the show and tells us a great deal about the artist, who has given us exquisitely understated drawings and paintings of close-up water and rock details that have been absolutely first-rate... This video is much the same water and rock scenes as are the best of his work... What his eyes see is quite remarkably uncommon..."

Andrew Trimingham, The Mid-Ocean News. 

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"...exquisite pencil studies of sea water shallows that look real enough to trail a hand through..."

Patricia Calnan, The Royal Gazette. 

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"... soft, gentle pastel drawings with which Mr. Dempster has already distinguished himself. The play of light through the water is this artist's chosen instrument and on it he plays with talent and versatility... another skein of light shimmering through the water washing through the interstices of flat, cracked rocks, demonstrates the artist at the height of his talent. The skill with which he blends the fluid with the firm and renders patterns of light as counterpoint to the formations and fissures in the rock is modestly downplayed by the gentlest of eyes and a nearly monochromatic colour scheme. It is the balance of Yin and Yang forces resulting in a natural peace remarkably satisfying to both life and spirit."

Andrew Trimingham, The Mid-Ocean News. 

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"Mr. Dempster has a unique eye and the technical facility to make the very most of it... extremely individual, spare, delicate, almost fragile perception of the unencumbered Bermuda that was here before man messed with it... brilliance of his water scenes... dramatic intensity... remarkably simple and startlingly successful..." 

"Simplicity is the stuff of genius. Mr. Dempster deals with simplicity with no little success."

Andrew Trimingham, The Mid-Ocean News. 

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"The work in the show, however, that really brings you to a halt on your first quick turn around the gallery is that of Daniel Dempster. The work consists almost entirely of the pattern of light on the gentle ripples of water over a sandy bottom and rendered with the most exacting precision. This is emphasized and set off by a small area of dark rocks, loosely rendered for contrast. That is all there is. It is both powerful and restful at the same time and the sandy greys of the almost monochrome colour scheme are at once warm and cool. The result is almost hypnotic and I was by no means the only viewer at the crowded opening evening to return to it again and again."

Andrew Trimingham, The Mid-Ocean News.